Well well well, that’s four paintings up in the past four weeks, if I’m not mistaken. It’s almost like I’m ceasing to be a hopeless failure and more like a Good Productive Artist. Rock on!
Sure, it was a commission, and it’s got a private audience of two, but I was so delighted with the bizarre comedy of Brain SAMMICH! that I felt it would be a shame not to shoot it for record’s sake. So, while only Ms. Stephanie Hammer and her guests will be viewing exactly how awesome this painting is in the flesh, you all can rub your peepers over its pixels here on the site.
The other painting is one of the fastest I’ve done in many years, because I wanted to retain that energetic sketchiness the underpainting started. It’s also my first self-portrait in like, two years, and the only true one I’ve done in paint (though this painting arguably counts).
And, because I really think self-portraits are among the more egotistical things I can think of, I couldn’t help taking a satirical jab at them in it. Mind you, it creeps me the heck out (not to mention my coworkers and girlfriend. My friend Liz is disturbingly amused by it…) At any rate, however disturbing it is, it’s very brilliantly colored and explores a lot of new line work I’ve been getting into lately, so it may be just watershed or it might be kicking off some new stylistic explorations. We’ll have to see.
Oh, and while not technically a new painting now, the previous shot of Lipstick 66 has persistently felt a bit flat to me, so while I had the lights out I went ahead and reshot it to more accurately show it’s glory. Find that here.